Kansanvälisesti | 30.8.2017
As digital audio attracts the major digital players, what are the lessons for brand marketers?
The global digital players as well as global and local media houses have claimed their interest in digital audio, writes Nadia Holmes, Head of Digital Audio at Bauer Media UK.
This year we’ve seen major digital players such as Facebook and Amazon claim their interest in digital audio. This sits alongside global businesses such as Pandora extending their ad tech partnerships, working towards a much more sophisticated digital audio offering.
So, what are the reasons behind this move towards digital audio and what does it mean for brand marketers?
The power that Facebook holds over consumer habits, and in turn brand strategies, has been widely documented. Therefore, the tech giant acknowledging the power of audio (or the power of sound as we like to refer to it!) in the launch of the Facebook Live Audio platform should make marketers sit up and listen. In fact, Facebook themselves state that 41% of their videos are meaningless with the sound off. That’s a big number! The company has also introduced automatic sound to videos in its mobile app, demonstrating how serious a subject it believes it to be.
Another tech giant to join the digital audio conversation is Amazon. The Amazon Alexa was the talk of CES this year and could potentially open a raft of opportunities for brands as they experiment with integrating with the tech. Voice activation could mean a real change in the way brands use digital audio – only this month, the world’s first voice-controlled hybrid radio adaptor was launched by Radioplayer, bringing voice activation to the forefront of a consumer experience.
We are without doubt seeing the conversation around digital audio move on and marketers starting to take advantage of the more complex benefits digital audio offers brands.
Why is everyone so interested in it?
This anecdote is a good place to start – a Las Vegas casino once decided to silence its slot machines, temporarily turning off every satisfying beep, ka-ching and bop to see what the effect would be. The result? A 24% loss in takings. The casino had discovered that sound really does matter! What this means for brands is that as a medium it has always shone when it comes to creating a healthy environment for advertisers, developing meaningful one-to-one relationships with listeners. It’s truly immersive, with a native and linear feel, as the consumer only hears one thing, with 100% of their attention on the audio. It unlocks a two-way relationship and the explosion of mobile has only strengthened this, with everyone now having access to a radio at any time through their smartphone.
The growth of mobile devices is of course at the heart of this. New research from eMarketer showed that this year, adult mobile internet users in the US will spend 73% of their daily app time on the following activities: digital audio, social networks, gaming, video viewing and messaging. However, listening to digital audio accounted for the most time – an average of 41 minutes each day on an app via smartphone or tablet to be exact.
How can brand marketers benefit of digital audio?
With this, comes access to the heightened power of personalisation and targeting. Ad tech is propelling forward to unlock the added value of targeting and a fully connected experience; audience targeting technologies allow advertisers to target listeners very specifically according to a range of first party data including age, geographical location, gender and device usage. Importantly, this is a value exchange for the consumer – they benefit from more relevant ads, as well as extra content, in exchange for their data. Jaguar UK saw the benefits of this technology when they used (Bauer Media UK’s) InStream+ -tool to target adult males to secure test drive bookings. The campaign targeted reach across the UK, with tailored creative per local dealership, and achieved a 100% listen-through rate.
As the digital audio market grows, we are also seeing a demand for podcasts, with influential brand extensions showing their worth with huge opportunity for advertisers. Podcasts can speak to niche and specialist audiences due to their fluid set up and production, allowing advertisers to build a relationship with a passionate community by giving them content they can access whenever they like it. This market growth is driven by the increasing demand for multimedia content and podcasts are moving into the mainstream.
One way podcasts can deliver this deep audience connection is via the curation of playlists, putting the trust consumers have in brands at the forefront of their listening decisions. A great example of this is KISS’ work with Three, where the team created a special ‘Snow Sessions’ playlist in the KISS Kube Mobile App around Three’s involvement with the Snowbombing festival in Austria. This featured a series of music sets performed by KISS DJs and by Snowbombing performers past and present, resulting in the first in-app commercial content experience for the Bauer Radio portfolio.
Where does this leave us?
Speaking of audiences, increasingly the only guaranteed way to upweight your digital campaign for the hard to reach millennial group is via digital audio; 37% of 15-24 year olds listen to the radio via a mobile phone or tablet at least once per month according to Rajar (Q3 16) and one in three of 15-24 year olds who listen to online audio listen exclusively online (Source: RAJAR, MIDAS, WAVE 7). Part of this success is due to digital audio skipping the problem of ad blocking, with no option for consumers to opt out.
With its strength in ad tech tools and sophisticated opportunities for brands, the future is looking good for digital audio. The immersive experience connected listening creates for consumers – without even needing their full attention – will future proof the medium as it continues to grow. There is no doubt that digital audio should be demanding more space on media plans and it’s up to marketers to make the most of this rich opportunity.
Head of Digital Audio, Bauer Media UK
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